18th Century History and the Term Paper

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This oil painting is 8 feet tall by 10 feet wide (Fiero 51).

Each of these artists glorified in enormous paintings a hero, theatrically presented, that the common man might identify with. The "Corsican Upstart" that was Napoleon, is shown in propagandistic, larger-than-life style by Gros and David, who first met in 1796 in Italy. These two painters influenced each other and became huge successes through their depictions of the great men of their day in emotional, imaginative ways. Goya, too, used the cult of the individual, the genius and the hero that was prevalent, to demonstrate the sacrifices that the ordinary Spaniard made in defending Spain against the occupying French. In the drawing of Yo Lo Vi" he also attacks the clerics, as they make off with the money, while a mother struggles to save her child nearby. The message that Goya sends is that the common man is the greatest hero of all and this is most appealing. The ordinary viewer of fine art can identify with these common people who are struggling to maintain dignity and stand up for their country (From 2).

The revolutions that besieged Europe during the 1800s, the French Revolution of 1789, the Industrial revolution that began near the end of the 18th century, Napoleon's conquering an empire, and finally the U.S.

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-British War of 1812 were reflected in not only the visual art of the day, but in literature and music as well.

These three artists rode a wave of emotion, grief, victory and defeat, as countries were conquered, Russia was invaded, Spain fought off the French and England tried to defend her colonies. They tried to paint historic scenes, but painted them in idealistic ways that glorified their favorite people and made those they considered evil despicable. Propaganda may have been the purpose of their paintings, but the result was the way that they portrayed their heroes and this is how those who follow down the ages will remember them.

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