Adorno/David Cook's Permanent David Cook: Thesis

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"And there is, above all, that whole sphere of music whose lifeblood is standardization: popular music, jazz, be it hot, sweet, or hybrid" (Adorno, 2004, p. 212). Taking this definition, then within the line of disdainful art we must place Shakespeare, Longfellow, even Hemingway; all of whom used a pattern to their writing, not simply for mass consumption, but as a skeletal structure of being. Within this rubric, then, "it is critical… to distinguish between the motivations for and the actual effects of listening" (Christenson, p. 103). Thus, despite the fact that Cook's "Permanent" follows a poetic pattern, the two major considerations again come forward: the motivation for writing and performing as a tribute to a specific occasion, and the relevance and commonality of reaching out for an emotional connection between humans.

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Finally, for Adorno, the "vulgarization and enchantment… dwell together in the arrangements which have colonized large areas of music" (Adorno, 2001, p. 41). That is to say that the only viable way art may exist is without entertainment value. This has some truth, one would certainly not argue that many of the films of the 1930s, for instance, showing synchronized swimming, lavish set productions of tap dance, and tuneful songs with very little soul, were nothing but grand escapes for the masses from the ravages of the Great Depression.

However, lighting, electronic enhancement, instrumentation,.....

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