Buddha Two Images of Buddha Term Paper

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There are several layers of halos that surround the figure on the scroll, adding an aura to the image that is not available to the sculptor. Although the museum has attempted some duplication of the effect as you can see by the shadows created behind statue. By using perspective the artist of the scroll has given a great deal of dimensionality to the drawing. The crossed legs of the Buddha as they join with the fountain have a certain feeling of tangibility and depth. This effect bestows an ethereal quality to the scroll, as if the image has the ability to float above the material of the frame and hang in space directly in front of you.

Both images project and aura of serenity and sacredness, both in somewhat different mediums requiring differing styles to achieve the same result. The one image that both artists capture well is the famous serene smile of the Buddha. This, more than any other feature, is an important part of any representation of Buddha.

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It is most reminiscent of the smile that adorns the Mona Lisa. Not a full smile, but the hint of bliss behind it that creates the slightest crescent in the movement of the lips. This feature is a bit more prominent on the statue and gives one the feeling that they are actually in the presence of the Buddha. On the scroll this image is slightly more sedate, yet still powerful enough to connote the presence of the spiritual.

It is remarkable that how in the presence of these images one feels the need to be quiet. I believe that it would be the same whether or not one knew the religious symbolism behind them or not. Both artists have the ability to project sacredness and serenity out into the filed of perception so that the observer is certainly moved by both pieces. These artworks do not need a temple to surround them in order to feel their inviolability and holiness......

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