Catalogue Sotheby's Catalogue Entry on Term Paper

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' The catalogue also stresses the value of the artist's works as a whole, and the resurgence of interest in the faux classical images of the late Victorian period to not simply enhance the perceived aesthetic value of the work but also the perceived financial investment the purchaser is making.

In fact, were it not for the provenance of the object in a Sotheby's catalogue, the image of the young woman might strike the gazer as rather tacky. It is a copy of popular images of what life in ancient Greece and Rome for women was really like, not a rendition of an actual woman with a unique facial expression. The catalogue terms "Idleness" a "rediscovery, a painting by one of the finest late Nineteenth Century Classicists, epitomizing the vogue for ladies in togas which held Middle-Class London under its enduring spell well into the Twentieth Century.

However, the word rediscovery neatly covers up the fact that this is a middle class work, not innovative high brow art even in its day, and a work with more than a superficial, passing resemblance to other works, such as Leighton's "Summer Slumber.

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" If it were not for the historical location of the work, one might ask, in the prose of the catalogue, would one find a picture of an unnamed person, "content, alluring and absorbed," to be of any interest. However, the 'sell' evidently worked, as the estimated auction price range of 120, 000-180,000 was met neatly in the median of the figure range at 140, 000 at its eventual hammer-price. But for a work of art to have potential investment value, surely it must have a timeless quality. This work, however, stands as very much of its Victorian, Neoclassicist time that fails to speak either to modern audiences or to art, and even its maker was not the major artist of the period, unlike Leighton or Whistler, as is admitted by the text in passing.

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