Christopher Nolan Technique the British-Born Research Paper

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Nolan's Dark Knight deals directly with the idea of a hero's control over his world by pitting the emblem of anarchy (the Joker) against Batman (a mythological hero, supported by technology that borders on the totalitarian). Nolan questions the degree of power that someone like Batman should possess and whether or not he actually possesses it. Much of the film is spent analyzing this philosophical query, with Batman's tech-support man Lucius Fox even weighing in with his two cents. Regardless of the film, Nolan inserts the same preoccupations again and again.

For example, in the Prestige, Nolan advances the speculations of philosopher Martin Heidegger by examining the illusion of time with a nonlinear narrative: "For Heidegger, authentic temporality concerns itself above all with the future, whereas the film's notion of time is tied to repetition.

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According to the logic set forth by the Prestige, the idea of time as linear forward motion is the effect of an illusion…and it serves to disguise the role that sacrifice or work plays in the process of creation" (McGowan 2). Philosophical forays coupled with intense special effects, a gritty and/or elegant film noir style, and a re-imagining of stereotypes and genres is what Christopher Nolan typically brings to each of his films. This essence is easily seen in the Dark Knight, what with the questions of morality posed by the Joker's mayhem, Batman's seemingly unlimited ability to spy on all the citizens of Gotham, and the public's unease with vigilante justice. Each of these topics is addressed and scrutinized within the narrative of the film.

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