Deconstructive Montage and Virtual Reality Essay

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Despite the existence of this notion, juxtaposition enables montage to deal with cut and paste contradictory pieces and the concept of visual language. This enables the achievement or development of new meaning of the images. It is ideal to note that mass media images were put together, though fake and clumsy, are productive in the production of documentary picture in relation to history (Jenkins 2006, p. 214). This enables the audiences to look at the existing images and grab its contextual meaning immediately. They also have the opportunity to relate its meaning to the current events in the society. This is an indication that fragments and ruptures in relation to deconstructive montage have the ability to appeal to the audiences through political or social aspects. There is also element of fun in the development of images through the application of the deconstructive montage strategy thus minimal aesthetic aspect of the image.

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This indicates that deconstructive montage strategies are deconstructing and destroying the canon of any element considered art.

Unlike the aspect of deconstructive montage that deals with clear, explicit, and instructive message in relation to guidance of thinking capacity, virtual reality demands critical thinking with reference to the meaning behind the image and its relationship with the real life. This is an indication that virtual reality focuses on the description of space of possibility and impossibility under the formation of illusionary concepts with the aim of making sense to the audiences. In the context of virtual reality, audiences are invited to have a second look with the aim of raising open questions in relation to the image thus critical analysis of the image to make valuable relationship with daily interactions.

Reference

Henry Jenkins, 2006. 'Photoshop for Democracy' in….....

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