Gilman, Melville, and Houston Short Term Paper

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Total Length: 1973 words ( 7 double-spaced pages)

Total Sources: 5

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"We're leaving,' he hissed. "I'm taking you straight to the hospital." When Susan rose shakily to her feet, uncontrollable diarrhea had stained her dress and dripped from the chair. White with fury, Charles Hay took her by the arm and led her slowly from the hall." (Melville 134)

The work again intones an incredible journey through what a women sees a man thinking. The disconnectedness of Susan from her husband is so complete that her voice is only marginal in the work, but the message is clear in the literary expression of her secreted activities. The masculine is represented as the feminist idea of greater association with industry than home, to the peril of loving relationships. The writing demonstrates a character who is wholly disconnected from ethics in love and life, and in s sense is a demonized masculine archetype.

Conclusion:

Among these three works are three completely differing context and writing styles, though they can be drawn together through two divergent and connected sets of feminist literary criticism to be shown to demonstrate communication barriers in relationships between men and women.

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This work creates a sense of the whole of the works value by assessing each work with both the ideals of great love for the expression of women through literature and the evaluation of how women's literature clearly identifies both old and new avenues of oppression, by the patriarchal society. In the Yellow Wallpaper (1892) the expression of the feminie as helpless is complete, in How to Talk to a Hunter (1990) the modern assessment of how to interpret the messages of a relationship is discussed universally and in the Sparkling ***** the complete disconnection of an individual man from his wife is detailed as an example of the disconnect the patriarchal society has from the feminine.

Cavalcanti 152)

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