Identity Brazil Modernism and National Identity in Article Review

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Identity Brazil

Modernism and National Identity in Brazil, or How to Brew a Brazilian Stew -- Styliane Philippou

This article outlines some of the efforts that the Brazilian culture has made to separate themselves from the cultures of Europe and other influences. Brazil was granted its political independence in 1822 however the countries cultural emancipation came much later. Pilippou (2005) writes:

One hundred years after Independence (1822), the second discovery of Brazil aimed to couple political independence with cultural emancipation, and demanded the invention of an authentic hybrid Brazilian tradition on the basis of which to construct an autonomous Brazilian art. The quest of modernity was parallel to an intensified quest for brasilidade, which embraced all things that had remained relatively untouched by what was viewed as an intensive nineteenth-century re-Europeanisation of Brazilian society and culture with its consequent economic and cultural dependency.

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During the Empire which followed Independence, economic domination was British and cultural French (Pilippou, 2005).

There was a quest by the culture to regard a sense of identity that was all its own and it did so by looking at the local items that had been untouched by foreign cultures.

In the 1920s, groups began to become increasingly interested with India and Black members of their society. The white elites that were in power generally set the attitudes towards culture and these groups had never before gained a place in mainstream Brazilian culture. Tarsila do Amaral, daughter of wealthy Sao Paulo landowners and coffee-growers and trained in Paris, painted A negra (A Negro….....

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