A Krysztof Kielowski Direction Three Colors Film Review

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Three Colors Directed by Krysztof KielowskiKrysztof Kieslowski’s trilogy “Three Colors” is inspired by the national colors of France, blue, white, and red. Being an auteur filmmaker who can control almost all aspects of the movie, from characters to music, the character display, their direction, scene cuts, etc., his characters were seen as a holistic representation of profoundness. He has a unique vision of his characters that he wants to show to his target audience, and critics loved it when the trilogy was screened. Krysztof Kieslowski wants his characters to delve completely into their role so that their physical and metaphysical energies intertwine in a manner that gives a new meaning to the film. Each film of this trilogy seems complete in itself; however, the characters have been defined in a way that the next part appears to be a connection as a continuous whole. Krysztof Kieslowski can only create the cumulative experience as he has a self-contained realization of forming a sensory experience for the spectators. The entire involvement uplifts and delights the audience that he has shown by forming a seamless connection of the color with the character’s role. Apart from character display, the story narrative has been highlighted with music as well. Krysztof Kieslowski himself suggests that it is a masterpiece for the ears as the ideas are dramatized with the sound of the music…

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…emotions simultaneously.

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Though the three colors seem to show freedom, fairness, and brotherhood from a French flag’s point of view, the director showed the themes of love, deceit, fascination, and man’s potency and hatred towards women in these colors (Bradshaw). The poetic understanding of the human emotions that humans have been striving to infer meaning out of and unravel their implications on human nature and behavior has been masterfully done by Krysztof Kieslowski. The insight into human self-understanding has been accomplished through color connections, their connection of meaning, symbolizing, music utilization, and, of course, the screenplay art that could not have been gained better by any other director in a major philosophical sense. Works.....

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