Philippe Starck Is One of Research Paper

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If his designs and gallery of zany personal photos are any indication of his working process and goals, Starck is a demonstrative example of someone who has made his art and love his career. There is a clear sense of the future, when looking at his contemporary architectural drawings that clearly demonstrates a sense of whimsy as well as object that are in stark contrast to their surroundings.

In a demonstrative quote associated with Starck's works and what they have and are doing for the modern world:

an object which illustrates the possibility of daily objects becoming auratic thanks to creative and ingenious designers. This object is a toothbrush designed by Philippe Starck for the French brand Fluocaril. The object is first presented in a semi-opaque packaging which plays very well with both visibility and invisibility, presence and distance. The object has all the recognisable features of a toothbrush, and still, it seems to look like something other than a toothbrush, a kind of old pen, for instance. Moreover, apart from its obvious aesthetic qualities, this toothbrush appears to be made of two parts: a brush and a stand.

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The stand is. symbolically very important because it means that this object has gained autonomy, a physical autonomy in the sense that it does not have to be hung up, laid down or even hidden. The toothbrush might exist per se, standing on its stand and thus become a decorative object. Hence, through a resemantisation process, the object is viewed differently and it makes us see the world differently: in a sense it has gained some aura... (Heilbrunn 1998, 199-200)

Though Starck demonstrates and often speaks of his desire for a reduction in the elitist art of design, often bringing this out in his design and the manner in which he chooses to display it or place it. (Gregory 2005, 17) in a quote regarding his desire for a simplification of objects he stated to one writer "A chair,' Philippe Starck once told me in his American-French drawl, 'now we have understood Freud and Barthes, is no more than something to put your ass on." (Aldersey-Williams 1997, 43)

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