Pieta Depicts the Virgin Mary Term Paper

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This may well have been intentional, because since the statue was moved from its original location, no one knows in what position it was before (Michelangelo pp). The artist might have intentionally deformed it if it was to be housed in a high place in order to balance human sight aberration, yet much of the Madonna's size is concealed in the drapery, thus, the figures look quite natural (Michelangelo pp). Michelangelo limited the marks of the crucifixion to very small nail marks and an indication of the wound in Jesus' side and the imprints of the nails in the feet do not penetrate to the underside of the foot (Michelangelo pp).

Some say that the youthful appearance of the Virgin symbolized purity, which others attribute it to Michelangelo's passion for Dante's Divine Comedy, where in the third cantica, Paradise, in a prayer for the Virgin Mary, St. Bernard says, "Virgin mother, daughter of your son," since Christ is one of the three figures of the Trinity, then Mary should be daughter, like other humans, but also mother (Michelangelo pp). Thus, the reason why Michelangelo choice in depicting the Madonna in a youthful state (Michelangelo pp).

Michelangelo is the most representative artist of the sixteenth century (Olga pp).

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He was a sculptor, painter, poet, and architect, and because he lived to such a great age, he was able to enjoy great fame and notoriety during his lifetime (Olga pp). Daniel Wildenstein, French art tycoon, referred to Michelangelo's Pieta, which the artist completed in 1500 at the age of twenty-five, as the "universal masterpiece" (Johnston pp). He called Michelangelo's work as the "most beautiful thing in the world," and considered the Pieta as "humanity's heritage" (Johnston pp).

The sculpture is placed in St. Peter's, just to the right of the entrance, between the Holy door and the altar of Saint Sebastian and is protected by an unbreakable glass panel (Michelangelo pp). The chapel of the Pieta is where the Pope vests before liturgical celebrations in the basilica (Michelangelo pp).

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