Rhetorical Criticism Narrative and Dramatic Criticism Article Review

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Rhetorical Criticism-Narrative and Dramatic Criticism

Forms of Criticism

Narration as a Human Communication Paradigm: The Case of Public Moral Argument

The corrective of the scientific rationalization would seem necessarily to be a rationale of art -- not, however, a performer's art, not a specialist's art for some to produce and many to observe, but an art in its widest aspects, an art of living. Kenneth Burke.

Central Claim: A narrative paradigm is one way that people reason together in certain situations, and it permits resolution of the dualisms of modernism, such as fact v. value, intellect v. imagination, and reason v. emotion. Whereas stories are the manifestation of the entire mind, narratives are moral constructs.

Central Focus or Purpose for Criticism: The narrative paradigm seems to try to cover too much territory and it doesn't really seem to give rise to a viable alternative to the rational world paradigm.

D. Arguments About the Text: Fisher asserts that all communication is narrative, but this claim is so broad that it seems to render his theory not researchable.

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Further, some communication does not conform to the values most people share. The narrative approach does not seem to have a more democratic frame than the hierarchical structure of the rational world paradigm. Moreover, storytelling in and of itself does not ensure that experts or elites will not dominate despite the narrative paradigm. Essential and continuous storytelling is the essence of the narrative paradigm, as human beings quite naturally use storytelling for meaning-making and communication.

E. Key Terms and Definitions: 1) a narrative that is a theory of symbolic actions, whether deeds or words, that convey meaning to those who create them or interpret them; 2) a framework that directs inquiry and understanding about the nature and functions of the experience.

The Rhetoric of Hitler's "Battle"

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