Dante's "Inferno," Reader Response
Dante's "Inferno" tells the story of Dante, a good man who has lost his way on the road of life and so finds himself on the precipice of Hell. "When I had journeyed half our life's way,/I found myself within a shad Continue Reading...
Mel Gibson's The Passion Of The Christ
For most of its duration, Mel Gibson's The Passion of the Christ lingers horrifyingly on a mostly-naked male body in pain; as a result, the rest of the film seems exceptionally anxious otherwise about the issue Continue Reading...
O Brother, Where Art Thou?
Homer in Hollywood: The Coen Brothers' O Brother, Where Art Thou?
Could a Hollywood filmmaker adapt Homer's Odyssey for the screen in the same way that James Joyce did for the Modernist novel? The idea of a high-art film Continue Reading...
Nashe, Greene, Bunyan and English Fiction
Thomas Nashe’s The Unfortunate Traveller, Robert Greene’s Coney-Catching pamphlets and John Bunyan’s Vanity Fair each captured something of the imagination of early modern England. Bunyan&rs Continue Reading...
Tom Shulich ("ColtishHum")
A comparative study on the theme of fascination with and repulsion from Otherness in Song of Kali by Dan Simmons and in the City of Joy by Dominique Lapierre
ABSRACT
In this chapter, I examine similarities and difference Continue Reading...
According to Parsons (2003), "Coincident with the growing avant-garde fascination with silent film, cinema was becoming the ultimate embodiment of modern mass culture" (90).
The "modern mass culture" that was emerging in Europe at this time was a r Continue Reading...
Heart of Darkness and Apocalypse Now
Comparing and Contrasting Coppola's Apocalypse with Conrad's Darkness
While Francis Ford Coppola's Apocalypse Now is framed by the music of The Doors, Joseph Conrad's novella Heart of Darkness, upon which the fi Continue Reading...
The poet is in turmoil and he turns from his love in order to prevent tarnishing or "spoil" (Pound 2) her because she is surrounded by a "new lightness" (3). This poem reflects upon the importance of experience. Like the poets mentioned before, this Continue Reading...
Ferdinand of Aragon in "The Prince"
Ferdinand of Aragon is represented both directly and indirectly in the text. Ferdinand of Aragon is one of the few characters whom Machiavelli openly compliments. However, as the following research will demonstrat Continue Reading...