In the first post-World War decade, Maya Deren stood out among her experimental filmmaking contemporaries by collaborating with her husband Alexander Hammid on one of the most famous of all American avant-garde films, Meshes of the Afternoon (1943) Continue Reading...
From this came our insistence on the drama of the doorstep" (cited by Hardy 14-15).
Grierson also notes that the early documentary filmmakers were concerned about the way the world was going and wanted to use all the tools at hand to push the publi Continue Reading...
As he himself admits, "I have a very grim perspective. I do feel that it's a grim, painful, nightmarish meaningless existence, and the only way to be happy is if you tell yourself some lies. One must have some delusions to live" ("Cannes 2010: Woody Continue Reading...
Condors eat dead squirrels but the colossal birds also consume the poisons intended only for those squirrels. The Condors talk to each other, fearing extinction, introducing naturalism. In 1985 the last 22 Condors are plucked from their tortured hab Continue Reading...