"I'm not sorry." The close-up of Susan that closes the scene demonstrates that she has had an epiphany and will likely no longer maintain the shadow of her lonely life. The crooner is all the while singing the blues classic, "It Can't Be Love" while Continue Reading...
This can be seen in one way in a film like Contempt, where the subject matter is filmmaking itself, allowing for the intrusion of the filmmaker into the film in a very self-referential way. William W. Demastes discusses dramatic realism and finds t Continue Reading...
Citizen Kane is one of the most influential films in Hollywood history. Director Orson Welles used many camera, lighting, and musical techniques that seem quite common now, but were quite revolutionary when the film was made in 1941. For example, thr Continue Reading...
The setting then shifts to Washington, D.C., where a younger Louise is in love with an unmarried construction engineer, David (Van Heflin). David, however, finds Louise overbearing and does not return her love, which only makes her want David even m Continue Reading...
Scorsese equates him with "a magician enchanted by his own magic." This freedom allowed Welles to create from narrative techniques and filmic devices a masterpiece that is self-aware of its own form. It intends to communicate this self-consciousness Continue Reading...
movie industry in America has been controlled by some of the monolithic companies which not only provided a place for making the movies, but also made the movies themselves and then distributed it throughout the entire country. These are movie compa Continue Reading...
film noir movement by examining two films from the genre made at two different times within the movement. This will first mean looking at definitions of what classifies a film as noir and then looking at conventions of the movement such as: story, c Continue Reading...
Orson Welles' Film Citizen Kane (1941) on Expression in Film; the Film Industry; and on the Theory of Director as "Auteur" The expressive meaning of the cinematic masterpiece Citizen Kane, directed by Orson Welles in 1941, cannot be summed up succi Continue Reading...
Shattered Glass Stephen Glass, the protagonist of the film, played by Hayden Christensen, works for The New Republic as a reporter. His use of colorful stories to draw attention from readers earns him a solid reputation amongst his peers and his em Continue Reading...
French New Wave/Auteur Theory and Tarantino Quentin Tarantino: An Auteur French New Wave cinema is a cinematic movement of the 1950s and 1960s established by French filmmakers and film critics who founded the Cahiers du Cinema that felt cinema had Continue Reading...
Those two instances music was used to tell the story vs. simply dialog. The film is filled with Capra quips, parts of business, and artistic tropes such as the invisible baseball game Willoughby performs when discussing fixing up his arm. Norton co Continue Reading...
Man Who Shot Liberty Valance and the Brilliance of John Ford John Ford's The Man Who Shot Liberty Valance (1962), a classic western with a few film noir elements included, is elegiac in the sense that its narrative strategy is that of eulogistic re Continue Reading...
Orson Welles to Visual Arts One of the most influential motion picture directors and producers of the 20th century was Orson Welles, whose well-known radio rendition of "War of the Worlds" in 1938 panicked an entire country long before September 11 Continue Reading...
Luis Bunuel and Orson Welles: Influential and Revolutionary Filmmakers in Film History In the history of film, two important directors are recognized all over the world because of their great contribution to the development of film throughout the ye Continue Reading...
(Baudry, the Apparatus: Metapsychological Approaches to the Impression of Reality in Cinema 707). Baudry explains that in reality, the spectator is actually convinced to assume this due to the effective application of the cinematic apparatus, thus e Continue Reading...
