Alfred Hitchcock has cast several actors in a few of his films. James Stewart, a favorite of Hitchcock's has been in "Rope," "Rear Window," "The Man Who Knew Too Much," and "Vertigo." He is and always has been an actor that grows with his characters. Continue Reading...
This ties closely with Hitchcock's belief that "dialogue means nothing" in and of itself. He explains, "People don't always express their inner thoughts to one another, a conversation may be quite trivial, but often the eyes will reveal what a perso Continue Reading...
ALFRED HITCHCOCK was born in London in 1899, and came to America in 1940 to make his mark as a film director. He became one of the most renowned and emulated directors of horror and suspense film. Many of his films are still considered classics, such Continue Reading...
Hitchcock even placed the camera behind the wheel of Scottie's car as he followed Madeleine around the city. In addition, Hitchcock uses the first-person technique to put the audience in the right mind frame of a suspense thriller. "Vertigo" ends in Continue Reading...
The woman, in this type of movie, becomes "isolated, glamorous, on display, sexualised" - which is how not only Miss Torso is presented in Rear Window, but also Lisa
An example of this is Jeff's relationship with Lisa. In the beginning he does not Continue Reading...
Even if it successfully brings back to life a story forgotten by the public and distinguishes itself from today's typical films, Disturbia is no match for Rear Window.
It is not certain if Disturbia is homage or a remake to Rear Window, since the t Continue Reading...
movie industry in America has been controlled by some of the monolithic companies which not only provided a place for making the movies, but also made the movies themselves and then distributed it throughout the entire country. These are movie compa Continue Reading...
filmmakers have quite a few options. They may choose to place a character in a realistic spaceship; they may choose to shoot their film from dynamic angles which push the limits of filmmaking; they may choose to have a dinosaur wander through the ci Continue Reading...
Postwar America in Hitchcock Films
Post-War America in Film
In the postwar America, expectations for men and women diverged from those that prevailed during the war years. The exigencies of World War II interrupted the evolution of social progress Continue Reading...
Hitchcock was especially concerned about scenes where he could employ three-cornered arrangements involving sight, sound, and observers. This can be seen at the time when the protagonist in Rear Window, L.B. "Jeff" Jeffries (James Stewart), speaks Continue Reading...