Man Who Shot Liberty Valance and the Brilliance of John Ford John Ford's The Man Who Shot Liberty Valance (1962), a classic western with a few film noir elements included, is elegiac in the sense that its narrative strategy is that of eulogistic re Continue Reading...
The spectator is unwittingly sutured into a colonialist perspective. But such techniques are not inevitably colonialist in their operation. One of the innovations of Pontocorvo's Battle of Algiers is to invert the imagery of encirclement and exploit Continue Reading...
hero? And what has one got to do with the movies? The answer to that question - which is really the question of how the mass media influence popular perceptions of the heroic and the Hero - is a complex one as are any significant questions that exam Continue Reading...
