Maxine Hong Kingston's memoir, the Woman Warrior, may be considered a microcosm of the work as a whole. The section "No Name Woman" incorporates the recurring themes of silence, invisibility, ghosts and using words as weapons. It is argued, that th Continue Reading...
Her visions of her mother as some kind of monster-deliverer appear in Kingston's nightmares. She states on page 86, "My mother has given me pictures to dream -- nightmare babies that recur." The grotesque imagery of her mother delivering monsters co Continue Reading...
It is true that while Kingston can use irony against the stereotypes of passivity imposed upon Chinese femininity, at other times she seems to use these stereotypes less self-consciously. Her portrayal of her mother calling white people 'ghosts,' a Continue Reading...
memoirs, The Woman Warrior and Angela's Ashes, Maxine Hong Kingston and Frank McCourt, respectively, present unique and complete views of worlds that widely diverge from the sort of lifestyles and experiences that are enjoyed by the average citizens Continue Reading...
In Kingston's more feminine rendering of identity, although she resists the ideals of silence and sexual repression, she accepts the idea that women have more permeable boundaries of selfhood and stronger ties to their family in the telling of her t Continue Reading...
Rather than hope for a new life, it is Ona's tragic suicide that introduces us to Ng's Bone. The novel takes place for the most part in San Francisco's Chinatown, where we observe Leila, Ona's sister, deconstructs detail after detail in an attempt Continue Reading...
