OTHELLO Shakespeare uses the soliloquy in Act 2 Scene 3 lines 335-362 to demonstrate to the audience Igao's nature and to provide insight into his character. In this scene, Igao reveals a devious plot that involves three other characters in the play Continue Reading...
There is a continuing debate within scholarly circle about the "motiveless malignity" of Iago. (Kolin 214) In other words, a close reading of the play raises the question as to whether evil is spurred by ulterior motives and feelings such as jealous Continue Reading...
He does so to mask his true malicious intentions. Here he shows how his manipulation is actually paying off, "[...] He [Othello] holds me well; / the better my purpose shall work on him," (I.3.382). Iago shows his audience yet another motivation for Continue Reading...
Hamlet's attitude towards the other female characters in the play, such as Ophelia is shaped by the distrust of women that is engendered by the mother's actions. Many critics have noted the strange and extreme attitude that Hamlet has towards women Continue Reading...
On the other hand, the scenery on the stage was nominal, often made up exclusively of decorated panels that were put on stage (Elizabethan Theater, n.d.). Elizabethan theaters were often crude, unclean, and noisy, but always managed to draw people Continue Reading...
Looking for the Wise Fool who should have been present to keep these plays comic, Constance must have her interlude with Desdemona to set up the rest of the action of the play. Iago and his buckets of filth are integral to the Act because without hi Continue Reading...
Even in Catholic France, the Protestant sentiment that God's grace alone can save His fallen, human creation was evident in the humanist king, Francis I's sister, Margaret, Queen of Navarre's novel when she wrote: "We must humble ourselves, for God Continue Reading...
