Pulp Fiction, by director Quentin Tarantino, is a prime example of a film that utilizes a multiple narrative structure. The film has three narrative stories that are signaled by inserted captions, and told in "episodes" that are shown non-chronologic Continue Reading...
One can actually feel a sentiment of nostalgia as he or she goes through Tarantino's movies, since his films appear to be done in accordance with some of the earliest movies in the history of film-making, the only difference being that the director Continue Reading...
By doing this, the film puts across feelings related to irony and sarcasm, as it apparently wants to ridicule a society that never seizes to amaze. It is as if the film is meant to be surprising by showing apparently improbable occurrences that are Continue Reading...
The mise-en-scene and the filming complement each-other and make it possible for viewers to be presented with an intriguing account involving archetypal characters going through experiences that are not actually that common. It is very probable tha Continue Reading...
The use of this shot can be seen in the sequence where Marsellus gets run over by Butch and later when Butch is beating up one of the pawn shop owners. Tarantino is also known to use a long shot in his films. The use of a long shot can be seen short Continue Reading...
In 21 Grams, the narrative darkens and is localized. Inarritu deepens his exploration of class differences, but this time on the U.S. side of the New World Order that has been brought about by the North American Free Trade Agreement. According to O Continue Reading...
it's been earned" (emphasis added) (Klawans, 2003, p. 32). In their synopsis of the movie, the producers report that, "Having been gunned down by her former boss (David Carradine) and his deadly squad of international assassins, it's a kill-or-be-ki Continue Reading...
tense right now in Israel. The Jewish New Year (it's 5773 for those who count) has coincided with a recent wave of anti-American and anti-Jewish sentiment related in part to a recent "incendiary" film that depicts the Muslim prophet Muhammad (Estrin Continue Reading...
Tarantino's Inglourious Basterds An analysis of Quentin Tarantino's Inglourious Basterds Inglourious Basterds, written and directed by Quentin Tarantino and released in 2009, is a continuation of Tarantino's postmodern approach to cinema and may be Continue Reading...
These and other devices combine to give the sense of a film as a kind of assemblage - different bits of the material world put together in a particular way." (BFI, 1) The moment of silence is famously divergent from the formula of sound presentation Continue Reading...
Films Cinema is a cyclical phenomenon of images, themes, stories, and visions yet each interpretation presented to viewers is unique and connects with them in a different manner. By studying the foundations of cinema, one can trace the influences o Continue Reading...
Film Clip Analysis of Inglourious Basterds Quentin Tarantino is best known for his ultraviolent and bloody films. Through his unique writing, directing, and editing style, Tarantino has been able to create a cinematic canon that is distinguishable f Continue Reading...
Django Unchained As a screenwriter and filmmaker, Quentin Tarantino has long been considered the ultimate auteur. His style and content are uniquely his own and are marked by edgy, graphic content along with fast, memorable dialogue. There is a rap Continue Reading...
The term auteur emanates from France and it means author, which in film theory implies that a film by a director mirrors their artistic and ingenious vision. In accordance to Pearson and Simpson (2001), an auteur is delineated as a film director that Continue Reading...
film noir movement by examining two films from the genre made at two different times within the movement. This will first mean looking at definitions of what classifies a film as noir and then looking at conventions of the movement such as: story, c Continue Reading...
