Jeff becomes an investigator with his camera. He is the one in the shadows at first, not the murderer. The murderer is exposed, out in the open. However, the plot evolves in such a way that Jeff becomes from the follower, the one being followed. He Continue Reading...
Hitchcock even placed the camera behind the wheel of Scottie's car as he followed Madeleine around the city. In addition, Hitchcock uses the first-person technique to put the audience in the right mind frame of a suspense thriller. "Vertigo" ends in Continue Reading...
Charlotte Perkins Gilman's "The Yellow Wallpaper" to F. Scott Fitzgerald's "Winter Dreams" writing styles; James Baldwin's "Sonny's Blues" compare to my own life. Modernism vs. postmodernism Over the course of the late 19th and early 20th century, Continue Reading...
This ties closely with Hitchcock's belief that "dialogue means nothing" in and of itself. He explains, "People don't always express their inner thoughts to one another, a conversation may be quite trivial, but often the eyes will reveal what a perso Continue Reading...
ALFRED HITCHCOCK was born in London in 1899, and came to America in 1940 to make his mark as a film director. He became one of the most renowned and emulated directors of horror and suspense film. Many of his films are still considered classics, such Continue Reading...
Genre: The Conventions of Connection" by Leo Braudy is a bold and well-written article which acknowledges how too often in film theory and criticism, genre films are dismissed as fluff and all-together one-dimensional pieces of art. Braudy makes a st Continue Reading...
He consistently uses the technique of lifting the curtain to introduce scenes and essential actions. This kept his films rooted in the early traditions of theater but in a covert manner. Many of these theatrical illusions were portrayed using modern Continue Reading...
