In Terms of Dramatic Presentation, Term Paper

Total Length: 358 words ( 1 double-spaced pages)

Total Sources: 2

In
essence, the horse in this painting appears to be the centerpiece for our
eyes rather than Saul and his conversion. In addition, Caravaggio has "paid
no attention to the usual dignity appointed to scenes from the holy
scriptures" (Linda Murray, 156).
In contrast, the rendering of the CONVERSION OF SAUL by Michelangelo
demonstrates his tremendous sense of emotion which is presented through his
use of light and shadow. The image of Saul, unlike that in Caravaggio's
rendering, serves as the focus point and clearly defines Michelangelo's
great respect and admiration for classical motifs and the true
representation of biblical events.

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Thus, the superiority of Michelangelo's CONVERSION OF SAUL is due to
his mastery of Renaissance form and style and his adherence to the use of
light and shadow which seems to be a natural prerequisite to presenting
biblical images and events as they were meant to be viewed.
BIBLIOGRAPHY
de la Croix, Horst and Richard Tansey, Revs. Gardner's Art Through the
Ages. New York:
Harcourt-Brace-Jovanovich, 1975.
Murray, Linda. The High Renaissance. New….....

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"In Terms Of Dramatic Presentation ", 06 February 2007, Accessed.21 May. 2025,
https://www.aceyourpaper.com/essays/terms-dramatic-presentation-40205