Gohlke the Sublime Photographic Art Essay

Total Length: 432 words ( 1 double-spaced pages)

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108). Photographic truth for Gohlke is realized by showing 'the thing itself' but through a subjective perspective, accepting the contextual relativism of postmodernism without attempting to alter the piece with overt artistic tampering. Gohlke has long loved wilderness photography for its apparent purity, although he also obviously finds inspiration in the remote qualities of areas in cities. Gohlke focuses the viewer's intention on content and subject, not his technical virtuosity as a photographer or an imagined past history or connection to a larger history of art (Minichiello 1992, p.108).
The viewer's involvement and experience with the landscape on a personal level is what is required to appreciate a Gohlke photograph, not sophistication or past knowledge -- this is why his works are called pure experiences, both in the taking of the work by Gohlke's camera and also the apprehending of the work from the point-of-view of the gazer (Minichiello 1992, p.108).

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