Quantifiable Terms, Tillie Olsen's Literary Output Has Term Paper

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quantifiable terms, Tillie Olsen's literary output has been admittedly modest. However, her influence has been anything but. As a writer, a feminist and an activist, she has worked throughout her life to serve her core values. Born to a pair of Jewish Russian immigrants, Ida and Samuel Lerner, Olsen's circumstances would play a significant role in both the formation of her belief system and the ways in which she would pursue its actualization. Well regarded in the notes of history, particularly those forged by advocates of the advancement of the women's movement, she holds a legacy of fellowships, awards and documents to justify the acclaim. Perhaps the most important and unique characteristic of Olsen's life is the apparently seamless fashion in which she tied the varied strands of her life into a singular identity. Her devotion to her literary work, to her family and to her politics were inextricable from one another and from the larger entity of Tillie herself.

The destruction of her birth certificate leaves Tillie Lerner's exact date of birth a mystery, though she has estimated it to be either 1912 or 1913. Whichever, it happened somewhere in the vicinity of Omaha, Nebraska, where her parents had settled into a Jewish socialist community. This fact, compounded by the hardships of farm living and the working class makeup of her family and neighbors, would have a tremendous impact on Tillie's understanding of the world. As a child, she came to view capitalism as an evil designed to advance the elite and detain the oppressed in their indigence. Her father's position as State Secretary of the Nebraska Socialist Party, which included a run for district representative in the twenties, would bring her into contact with a wide variety of socialist figures of the time that would help to shape her ideals from a young age.

Due to her exposure to many politicos and intellectuals, as well as a natural endowment of intellectual capabilities, Tillie was able to transcend the limitations of her socio-economic status, if only for a brief time, to attend an academic high school where she was presented with greater opportunity and a richer education.

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And though financial needs would force her to drop out a year before she could graduate, she would be fast to point out in later interviews that she was blessed with far more education than most women in her peer group, particularly those born of working class families. But more often than not, her writing was guided heavily by political influences, as opposed to academic ones. As such, much of her early work arrived in the form of skits, propaganda as it were, for the socialist groups with which she associated. By the age of 18, she had become a member of the Young Communists League, and thus entered a phase of intense activism that would even result in imprisonment for the distribution of union-advocating leaflets at a tie-factory in which she claimed employment. While in prison, she developed an illness that would soon evolve into tuberculosis. Ironically, Olsen reminisces about the illness with fondness, as its effects forced her to stay in bed under the care of her community. It provided her with a great deal of writing time, with which she began to produce her first novel, Yonnondi. It was in 1934, when her short piece, The Iron Throat, appeared in The Partisan Review, that she began to receive some attention. In a matter of time, Olsen, who had recently given birth to her first, and unplanned, daughter, had signed a contract with Random House that would award her a stipend every month in exchange for the completion of one chapter of the aforementioned novel. However, the stresses of being away from her class group, as she was deeply immersed in a scene of Hollywood leftists rather than labor revolutionaries, and the distance between she and her newborn daughter who stayed with family, took their toll. She was….....

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